Just know, getting that sample clearance probably won’t be free. The best advice I can give you is to figure out who owns the catalog of the sample and to contact them directly. I don’t want to spend time on sample clearance: if you don’t have a big following as a producer, it’s usually very hard to get samples from third parties cleared (meaning you can use them in their original form), especially when they are released on major labels. This is potentially the best way to sample, but it’s also the hardest. The songs I listed at the beginning of the article all sample from other songs.
#SAMPLES PARA NUENDO FREE#
We also have some awesome free sample packs here. At Hyperbits HQ, we spent over a year compiling the absolute best samples we could find, and released them as part of the Creative Suite. Solution: Do some research on great sample packs. Problem: Most samples from sample packs just aren’t that good. Are you making pop or EDM? The KSHMR and Oliver packs are amazing. Are you making house or techno? Grab some 909 drums. Solution: Figure out the samples you need before looking for them. Problem: Most samples I find I would never actually use. We don’t need to look for the needle in the haystack every time we want to use a sample. Rely on these and re-use them in your productions. Solution: Create a favorites folder of your favorite samples. Problem: There are too many samples out there. The good news is that these problems present their own solutions: The challenge with sorting through pre-made samples is that the vast majority are either 1) something we would never use in our productions, or 2) just not very good. We are OVERLOADED with sample packs to choose from - even if we only consider Splice, the samples we have access to there are virtually endless. The creative use of samples in the birth of hip hop and house music is a far cry from the barrage of pre-canned sample packs we’re used to today. I’m going to run through four sources of samples: sample packs, other songs, audio recordings that are not songs, and the real world.
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